Paradise Lost by John Milton Essay

1 Language has the cleverness to make breach look winsome Tis Pity was published by John hybridizing in 1633 and is set in Italy, the heart of the Renassiance. John Milton published heaven scattered in 1667, relatively short after John Ford, and was the premier epic poem to be written in blank verse. two writers push the boundaries of literature by exploring untouched, taboo subjects incest and The Fall of Man. During this period of time, soon after the Renassiance period, umteen artists and writers were challenging society by introducing a chuck of different styles and genres. This meant that Ford and Milton twain delimited to tempt controversy done their pieces of literature yet, the seductive choice of language has instead caused an attractiveness to some(prenominal) texts. It is this attraction to the language, and utter skill behind these writers designings, that has en abled both texts to withstand the test of time. In Book Nine of paradise Lost, Milton buzz offs to offer demon as the snake in the grass however, he manages to draw the hearing forward from Satans intentions by presenting his physical peach.As the snake communicate his way towards razetide, with the desire to cause corruption, he moves not with intended joggle. Instead, he towers fould above fould a surging Maze, with the colours of plain Gold. By talent the Serpent distinct characteristics, he is separating him from the opposite creatures in the Garden of Eden, therefore drawing Eves precaution to his uniqueness. The repetition of fould above fould stages the reek of an illusion, something which Eves eyesight is unable(p) to comprehend which is then reinforced by surging Maze, giving this illusion speed and power, causing a greater confusion on Eves behalf. The vivid description of verdant Gold gives the Serpent a very rich colouring, thus reiterating his importance in the Garden. When Satan finally decides to confront Eve, he constitutes erect, giving h imself a moxie of empowerment. This is when Miltons narration confirms the beauty of his language, as he mentions how pleasing was his regulate / and lovely. For an audience, this outside interpretation almost gives a sense of comfort, as they too are lost in his physical beauty. Finally, as the Serpent begins to speak, his ability to compliment and seduce enables him to make his way into the heart of Eve.There are clear similarites between Satan in Paradise Lost and Vasques in Tis Pity both have a skilled use of rhetoric. As Vasque attempts to gather information from Putana, he mentions how her by proving themselvesto be devoted to these women, they are appealing to their naivity and giving a false sense of trust. Their seductive use of language causes them to become impassioned, as they begin to realise their ability to attract these women. The absence and withdrawal of language in both texts is equally as attractive to an audience. In Paradise Lost Book Nine, the pivotal poin t when Eve eats the Forbidden result is simply expressed in four words, she plucked, she eat. The use of these monosyllables reinforces how tenseness can be achieved through simplicity. Extending on this further, Miltons constant intricacy and care to detail is deliberately dismissed here to send an even greater message to his audience mankind cannot blame Eve for causing the Fall as she simply ate the fruit. By refusing to focus on Eves decision to eat the Fruit, he is daringly challenging conventional views that women are the only cause of sin. John Ford in Tis Pity has a similar intention through his portrayal of Hippolyta her refusal to be silenced goes against the view of womens inferiority.This is achieved in Act Two characterisation two, as she powerfully enters with Tis I. These two words are distract from the rest of her speech in order to hold suspense and give her a greater presence on stage. Fords intention is for the audience to immediately be drawn to her in prepa ration for her review article towards Soranzo. As both Ford and Milton are so skilled in writing attractively and deliberately trying to engage an audience, it is even much effective when they suddenly withdraw the audience become responsible in using their own imagination, in attempt to understand the message these writers intend to express. In Tis Pity, the most effective use of language is through persuade an audience that Giovanni and Annabella have a natural, loving birth. In Act oneness Scene Two, when Giovanni admits his love for Annabella and she responds evenly, he ends the scene with After so many tears as we have wept, lets learn to approach in smiles, to kiss and sleep.Finally Giovanni is no longer impassioned, I have too long suppressed the hidden flames, and is instead able to appreciate the natural rawness of their love. Not only that, but by referring to their ability to weep, smile, kiss and sleep, he is expressing emotions which audiences are able to relate t o proving that their relationship isnt as unnatural as first assumed. During this particular moment, the audience become so engaged in the text that they forget just about the theme of incest and instead support thepurity of their relationship. John Miltons delineation of Satan creates a similar sense of curiosity into the ability to interpret with him. This is highlighted when he observes Eve for the first time and becomes of enmitie disarmd/ of guile, of hate, of envie, of penalise.The repetition of guile, hate, envie, revenge proves how Satan is gradually striped of his emotions associated with evil, and is instead left field vulnerable through his admiration. The power of Eves beauty forces him to become abstracted from his own evil, thus demonstrating the ability to respond humanely. During this moment, Milton is allowing the audience the luck to make their own viewpoint of Satan isolated from the conventional, one-dimensial presentation of him. The beauty of both texts is not caused by convincing the audience that sin is attractive, but instead pushing them into sympathising, admiring and simply enjoying pieces of literature beyond expectation.